PRICE Php 91,500 FIXED

ORDER INFO
CONTACT: ALVIN - 09173032407
LUIS - 09278609496
EMAIL: alvin@hapijoey.com



Pick-up site of the said item will be on my studio in MANILA near UST and SM San Lazaro only

Hapijoey recording studio
1423 A.H. Lacson st. Sta.Cruz, Manila Near UST and SM San Lazaro In front of Family Clinic College
As for your assurance of a legit transaction here are my credentials I am an active member of the pinoy drums community and already did numbers of transaction in this forum. Aside from that I am part owner of hapijoey studios which a lot of indie bands are currently recording such as sushi monster, mithi,publico etc.

Here is the website of our studio for your reference
http://www.hapijoey.com
http://www.sulit.com.ph/index.php/link/u/http%3A%5B%5D%5B%5Dwww.hapijoey.com%5B%5D/m/hapijoey
Here is the facebook account of our recording studio
http://www.facebook.com/pages/Hapijoey/119637031435637
http://www.sulit.com.ph/index.php/link/u/http%3A%5B%5D%5B%5Dwww.facebook.com%5B%5Dpages%5B%5DHapijoey%5B%5D119637031435637/m/hapijoey

Meet the StudioLive 16.0.2!
Our StudioLive 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now we ve packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package.
Small size. Bigger possibilities.
In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.)
Click here for the XMAX preamp story
http://www.presonus.com/products/sl1602/sl-xmax.html?keepThis=true&TB_iframe=true&height=300&width=500
But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.
Click here for A/D/A and Jet PLL story
http://www.presonus.com/products/sl1602/sl-ada.html?keepThis=true&TB_iframe=true&height=300&width=500
Click here for analog ease-of-use-story
http://www.presonus.com/products/sl1602/sl-analog.html?keepThis=true&TB_iframe=true&height=300&width=500
More than a mixer: an integrated system.
The StudioLive 16.0.2 integrates a 16x16 FireWire interface and comes with Capture , Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software.
Moreover, you can control virtually the entire mixer from an iPad using PreSonus StudioLive Remote, and you can control the aux (monitor) mixes from an iPhone or iPod touch using PreSonus QMix . Both are free downloads from the Apple App Store.
Because of our powerful, integrated, free software, StudioLive digital mixers can do far more than their competition.
There are five parts to this unique system:

Virtual StudioLive
http://www.presonus.com/products/SoftwareDetail.aspx?SoftwareId=46 for laptop control and editor/librarian functions
StudioLive Remote
http://www.presonus.com/products/SoftwareDetail.aspx?SoftwareId=47 for iPad remote control (available free from the Apple App Store)
QMix
http://www.presonus.com/products/SoftwareDetail.aspx?SoftwareId=48 for iPhone and iPod touch remote control (available free from the Apple App Store)
Capture
http://www.presonus.com/products/SoftwareDetail.aspx?SoftwareId=1 for two-click multi-track recording and playback
Studio One Artist
http://studioone.presonus.com/ Digital Audio Workstation for enhancing your recordings (and for direct recording from StudioLive 16.0.2 or any compatible interface)

Virtual StudioLive: The magic of computer control.
Written exclusively for StudioLive mixers, Virtual StudioLive (VSL) provides a complete visual representation of the mixer, allowing you to control the features with a mouse, trackpad, or trackball on a FireWire-equipped Mac or PC. Learn more about Virtual StudioLive
http://www.presonus.com/products/SoftwareDetail.aspx?SoftwareId=46
Even better: wireless control!
You re mixing a live show with an old-skool mixer make that any mixer other than StudioLive and you need to check the sound underneath the balcony or in the balcony, for that matter. Or you re sound-checking and want to hear the stage monitors for yourself. If you can t leave the mixing station, you have to rely on someone else s ears. If you don t have a reliable crew, you don t have a chance.
You can say goodbye to that problem if you use a 16.0.2 and an Apple iPad! With StudioLive Remote for iPad available free from the Apple App Store you have complete, real-time, wireless remote control over Virtual StudioLive, which in turn offers real-time control over the StudioLive mixer. As long as you have a wireless connection between your iPad and computer (and are connected via FireWire to the 16.0.2), you are in control of the console.
Learn more about StudioLive Remote
http://www.presonus.com/products/SoftwareDetail.aspx?SoftwareId=47
Yet even better: control of monitor mixes from iPhones and iPod touches!
Yes, it would be cool if every performer could have their own iPad right on stage with them and it s possible with StudioLive Remote. But let s get real: iPads are not inexpensive. So we created a second app just for the iPhone and iPod touch. QMix lets you adjust a single aux mix per iPhone. Select inputs and levels for your custom monitor mix, and then use the Wheel of Me to get, well more me quickly during performances.
Learn more about QMix
http://www.presonus.com/products/SoftwareDetail.aspx?SoftwareId=48
Recording made easy with Capture .
Check out our competition, and you ll discover that their recording capabilities amount to stereo-only or just four channels or require expensive add-ons.
With the StudioLive 16.0.2, if you have a laptop, you have a multitrack digital recorder instantly ready to capture your gig, church service, or presentation.
Just two mouse clicks engages Capture 1.1 recording software. When you install it on your laptop, it automatically maps to the outputs of the 16.0.2 to automatically record all 16 input channels. Here s a particularly cool feature: Capture lets you insert markers during a live recording between songs or parts of a worship service or presentation with a single mouse-click. Later, when you are ready to edit the performance, you can export each region you have marked as a separate file, using a single command. This saves hours and hours of work!
Because StudioLive can so easily return FireWire playback streams from your computer, you can pull off nifty tricks. You can create backing tracks at your studio and seamlessly blend them with live performance.
Or virtually soundcheck your band and fine-tune the P.A. and monitors in a new venue, even when the band s not there yet. (The drummer got stuck in traffic again.)
And Capture can run simultaneously with Virtual StudioLive and SL Remote, so you can personally soundcheck every part of the stage and house.
Learn the whole story of Capture.
http://www.presonus.com/products/SoftwareDetail.aspx?SoftwareId=1
Studio One Artist A serious digital audio workstation.
Once you re recorded studio tracks or a live multi-track performance, it s time to finish it with effects and a good mix (not to mention editing out that huge burst of feedback during the third song).
Studio One is a groundbreaking music-creation and -production application for Mac OS X and Windows XP/Vista/7 that makes audio recording and MIDI sequencing ridiculously simple right out of the box.
Studio One changes the rules of the game with fresh code, innovative drag-and-drop features, advanced MIDI mapping, auto-configuration with your StudioLive 16.0.2, insanely good audio quality, unlimited tracks and plug-ins per track, and a powerful, inventive Start page. And Studio One Artist comes with a Native Effects 32-bit effects library, complete with dynamics processors, reverbs, modulations effects, amp simulators, and more.
Learn more about Studio One.
http://studioone.presonus.com/
130 quality signal processors at your fingertips.
The 16.0.2's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects.
Fat Channel signal processing and effects
http://www.presonus.com/products/sl1602/sl-fatchannelmain.html?keepThis=true&TB_iframe=true&height=300&width=500
Our first compact mixer with MIDI control from a footpedal.
Moreover, a glance at the rear panel reveals that "Junior" offers something the two bigger boards don't: MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs all thanks to the magic of MIDI control.
16.0.2 MIDI control
http://www.presonus.com/products/sl1602/sl-midi.html?keepThis=true&TB_iframe=true&height=300&width=500
What was then is now: complete store and recall.
Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation.
StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.
Store and recall made easy.
http://www.presonus.com/products/sl1602/sl-recall.html?keepThis=true&TB_iframe=true&height=300&width=500
You ve read the book. Now see the movie(s).
Watch the 16.0.2 overview video at the upper left side of this page. Then, because the 16.0.2 has so much in common with our other StudioLive mixers, watch some of the other 60+ videos about how to use our StudioLive series. You find them on the 16.4.2 and 24.4.2 product pages or search for StudioLive on YouTube
http://www.youtube.com/user/presonusaudio?blend=2&ob=1 and Vimeo
http://www.vimeo.com/presonus.
Better yet, use our WHERE TO BUY
http://www.presonus.com/where-to-buy/ to locate your nearest PreSonus dealer.
Because nothing beats actually getting your hands on a StudioLive digital mixer. You ll see what we mean about intuitive ease-of-use. You ll hear what we mean about Class A preamps, rich DSP effects, and overall sound quality.
You'll come to believe in StudioLive family values. And you'll understand why StudioLive 16.0.2 is the most exciting new, small-format digital mixer on the planet.




8 mono mic/line channel inputs, each with:

High-headroom Class A XMAX mic preamplifier
XLR mic and balanced " line inputs
60 mm precision fader


4 stereo line channel inputs, with:

High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced " line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60 mm precision fader (4 stereo)


4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:

3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
High-pass filter


One 31-band stereo graphic EQ (on main outputs only)
16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)

Compatible with most audio software via ASIO, Windows Audio, Core Audio


Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle for Mac and Windows includes:

PreSonus Studio One Artist digital audio workstation
PreSonus Capture live-recording software
PreSonus Universal Control with Virtual StudioLive bidirectional mixer-control software
Free downloadable software from the Apple App Store provides wireless remote control, including:

PreSonus StudioLive Remote for iPad
PreSonus QMix for iPhone and iPod touch




Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:

Scene and FX Preset recall
Main Volume, FXA, and FXB output levels
FXA and FXB assign/unassign to Mains







Computer system requirements:
Below are the minimum computer-system requirements for your StudioLive 16.0.2.
Windows

Windows XP, Vista, Windows 7 (32- and 64-bit)
Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)

Macintosh

Mac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)
Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)
1 GB RAM (2 GB or more recommended)

Windows and Macintosh Systems

IEEE 1394 FireWire 400 Port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly recommended

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
Known compatible and incompatible hardware
http://www.presonus.com/media/pdf/hardware_compatibility.pdf




Microphone Preamp



Type
XLR Female, Balanced



Frequency Response to Direct Output (at unity gain)
20 Hz-40 kHz, 0 / -0.5 dBu



Frequency Response to Main Output (at unity gain)
20 Hz-20 kHz, 0.5 dBu



Input Impedance (Balanced)
1 k



THD to Direct Output (1 kHz at unity gain)
<0.005%, +4 dBu, 20 Hz 20 kHz, unity gain, unwtd



THD to Main Output (1 kHz at unity gain)
0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd



EIN to Direct Output
+125 dB unwtd, +130 dB A-wtd



S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
-97 dB



S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
-94 dB



Common Mode Rejection Ratio (1 kHz at unity gain)
+65 dB



Gain Control Range ( 1 dB)
-16 dB to +67 dB



Maximum Input Level (unity gain)
+16 dBu



Phantom Power ( 2 VDC)
+48 VDC







Line Inputs, Balanced



Type
" TRS Female, balanced mono



Frequency Response to Direct Outputs (at unity gain)
10 Hz-40 kHz, 0 / -0.5 dBu



Frequency Response to Main Outputs (at unity gain)
20 Hz-20 kHz, 0/-0.5 dBu



Input Impedance

10 k




THD to Direct Output (1 kHz at unity gain)
<0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd



THD to Main Output (1 kHz at unity gain)
<0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd



S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
-105 dB



S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
-94 dB



Gain Control Range ( 1 dB)
-20 dB to +20 dB



Maximum Input level (unity gain)
+22 dBu







Line Inputs, Unbalanced



Type
RCA Female, unbalanced (stereo pair)



Maximum Input Level
+22 dBu







Main Outputs



Type
XLR Male, balanced (stereo pair); TRS Female, balanced (stereo pair)



Rated Output Level
+24 dBu



Output Impedance
100







Aux Outputs



Type
TRS Female, balanced (mono)



Rated Output Level
+18 dBu



Output Impedance
100







Monitor Outputs



Type
TRS Female, balanced (stereo pair)



Rated Output Level
+18 dBu



Output Impedance
100







System Crosstalk



Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
-90 dBu



Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
-87 dBu







Noise Gate (Expander)



Threshold Range
-84 dB to 0 dB



Attack Time
Adaptive (0.2 - 2.5 ms)



Release Time
70 ms



Expander Attenuation Range
2:1






Compressor

Threshold Range
-56 dB to 0 dB

Ratio
1:1 to 14:1

Response Time (Attack/Release
0.2 ms / 1.0 s ( Tight ) to 180 ms/1.0 s ( Smooth )

Auto Attack and Release
Attack = 10 ms, Release = 150 ms

Curve Types
hard and soft knee



EQ

Type
2nd-order shelving filter (Q = 0.55)

Low (Low-pass or Bandpass)
36 to 465 Hz, 15 dB

Mid
260 Hz to 3.5 kHz, 15 dB

High (High-pass or Bandpass)
1.4 kHz to 18 kHz, 15 dB



Digital Audio

ADC Dynamic Range (A-wtd, 48 kHz)
118 dB

DAC Dynamic Range (A-wtd, 48 kHz)
118 dB

FireWire
S400, 400 Mb/s

Internal Processing
32-bit, floating point

Sampling Rate
44.1, 48 kHz

A/D/A Bit Depth
24 bits

Reference Level for 0 dBFS
-18 dBu



Clock

Jitter
<20 ps rms (20 Hz - 20 kHz)

Jitter Attenuation
>60 dB (1 ns in 1 ps out)



Power

Connector
IEC

Input-Voltage Range
100 to 240 VAC (factory-configured for country of destination)

Power Requirements (continuous)
100W



Physical

Length
15.56 inches (397 mm)

Width
16 inches (106) mm

Maximum Height
5.5 inches (140 mm)

Weight
20 Lbs.






Mechanical Drawing Diagram
http://www.presonus.com/media/diagrams/studiolive1602_mechanical.pdf